A major motion picture
is in the works based on the life of the former Prime Minister of England,
Maggie Thatcher, “the iron lady,” a woman of great courage and resolve.
The movie star, Meryl
Streep, plays Thatcher. Some reports say Streep could perhaps garner her
17th Ocscar-award nomination for her performance as Thatcher.
Of course, Margaret
Thatcher was a very strong conservative; therefore, she committed the unpardonable
sin, according to liberal opinion.
Maggie Thatcher inherited
an economy that was in shambles because of decades of socialistic policies.
She said famously, “The problem with socialism is that sooner or later
you run out of other peoples’ money.”
She was successful
in helping get England back on track financially.
Of course, she gained
a lot of powerful enemies in the process.
And now comes this
movie, some thirty years later.
Christopher Hope and Anita
Singh write in the Telegraph from the UK (11/15/11): “The Iron Lady:
Meryl Streep is 'cashing in' on Thatcher, say friends of former PM. It
is the most eagerly awaited film performance of the year, but is also already
proving to be the most controversial.”
They add, “Friends
and family have dismissed the drama as a ‘Left-wing fantasy,’ although
it portrays Lady Thatcher as a strong leader during the Falklands conflict,
the miners’ strike and other crises.”
Apparently, some of
the movie shows her as she is today, after a few mini-strokes, etc. Good
heavens. When people get old, they often experience some forms of dementia.
Why would they waste the movie-goers’ time with that?
What if some aging
Hollywood star, still alive, but whose mind and health is long-gone, were
to be featured as he or she is today? Of course, they would come off as
out-of-touch and decrepit.
Tim Bell (now Lord
Bell) used to work for Thatcher, and he has no inclination to see the movie:
"I can’t see the point of this film. Its only value is to make some money
for Meryl Streep and whoever wrote it….The depiction of Lady Thatcher as
a stooped old lady in a headscarf contrasts with her appearance during
her most recent public outing.”
So my question is:
Why does Hollywood have to be so liberal?
In 2004, with his
independent film, The Passion of the Christ, Mel Gibson proved that
there are millions of potential theatre-goers who are starved for well-done
movies that won’t insult their faith. He did this, against the grain of
the Hollywood establishment and proved them wrong.
He managed to bring
millions of people into the theatres, some of whom probably hadn’t seen
a movie in a theatre in decades.
I have come to appreciate
a man who is my favorite movie critic, Ted Baehr, publisher of Movieguide.
He looks for the good and praises that, while criticizing the bad.
Ted told me, “Hollywood
studios release only 40% of the movies every year. Now, they get most of
the box office, but they only release less than half of the movies. The
other half of the movies are released by independents.”
He said that well-done
films with positive moral values tend to do really well, even if they are
independent.
Said Ted, “Once in
a while an independent like Fireproof will succeed, but most of
the independents, like Sean Penn’s Milk and all of Sean Penn’s movies,
bomb at the box office. So, although Sean Penn has this driving passion
to get across a very Chavez-laden communist worldview, he fails at the
box office.”
Fireproof was
made in 2008 by the Kendrick brothers, Alex and Steve. It was basically
a production by a church in Georgia. And it’s a well-made film starring
Kirk Cameron, and it did well---even though its budget was limited.
The Brothers Kendrick
also came out with a movie a few months ago, entitled Courageous,
which at last check (of boxofficemojo.com, which monitors box office receipts)
has earned $31.5 million. That’s not bad for an independent film released
by a church.
In fact, the weekend after
its release, Ray Subers of boxofficemojo.com wrote an article subtitled,
“’Courageous’ Tops Weak Newcomers” (October 1, 2011).
Subers stated: “With a strong
estimated $3.1 million, Courageous looks like the big box office
surprise this weekend. That debut is up on Fireproof's $2.3 million start
on the same weekend in 2008, and it should translate to a $9 million opening
weekend.” Courageous managed “to attract a solid Christian audience.”
Ted Baehr told me, “films
that undermine the biblical position generally don’t do well. Movies with
positive Christian content last year averaged about $80 million or more.
Movies with anti-Christian content averaged about $1.7 million. Year after
year after year.”
So why does Hollywood continue
to make so many liberal movies, like the upcoming one on the former Prime
Minister of England---which I'm sure will be very well done, very well-acted,
and totally liberal in outlook?
I think the answer is because
so many of them are not aligned spiritually or politically with the vast
majority of the population, including some in Britain.
Such as Margaret Thatcher
who said in the late 1980s: "The truths of the Judeo-Christian tradition
are infinitely precious, not only, as I believe, because they are true,
but also because they provide the moral impulse which alone can lead to
that peace, in the true meaning of the world for which we all long....But
there is little hope for democracy if the hearts of men and women in democratic
societies cannot be touched by a call to something greater than themselves."
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